Showing posts with label Irving Force. Show all posts
Showing posts with label Irving Force. Show all posts

Wednesday, April 27, 2016

Synthetix Telegenic


By James Mann

It’s a synth driven world. One with a never ending stash of electrified, pulsing and well…impressive material. Artists in recent years have pounced on the opportunity to recreate the best in 1980s song compositions; structuring sounds, scores, ballads, duets and overall giving praise to the emotive powerhouse of the decade that is the 80s. These results are nothing short of spectacular.

From synthpop, dreamwave, chillwave and beyond; the dynamic range and momentum is astoundingly real, and so is the pace in the current retrowave movement. With each click, visions of a more colorful nightlife, choice in clothing, products, consumerism and attitude with daringly perfect hair come to life through our speakers with tact and execution.

Like a dancer gracing her way across the floor as that Linndrum kick hits in 4/4 timing, splendor, determination and pure happiness fill the room. But what good is a dancer without her partner? To have such a wealth of rich tunes to offer, there’s just one thing that can compliment the beauty in these works of art. That’s where Synthetix Telegenic comes in.


Determined to dance across floors worldwide, accompanying the music with the best in visual display, Synthetix Telegenic brings the best in 80s retro inspired videos. From fan made pieces to high end productions, the bar is continually raised not just for music in the scene, but also the daring accomplishments of these editors and production specialists who seem to notch up their techniques and visions with every release. With the pairing of music and video, the music comes to life for the ultimate experience, and the viewer is left with a lasting and stunning reminder of how well two can make a memorable dance.



#5. (Glitch Black) Glitch Black - “Badlands Escape Pod”



Glitch Black tears through Tokyo streets with a full on assault for the senses in this custom video for “Badlands Escape Pod.” Immediately the driving tour de force introduces a custom logo created by an artist who not only makes some of the best dark retro-synth inspired tunes out there, but also has a huge talent for graphic design and custom animation. Huge points right there. The high energy track takes the listener down a sonic world of wonder and mystery.

A pulsating beat frenetically hits while splendidly in tandem with dancing claps, massive synth leads, anthemic pads and the stunning visuals of the 1989 anime classic, Angel Cop. Scenes of motorcycles tearing through Tokyo highways engaged in combat not only compliments this arrangement, but also elevates the song’s strengths and animation ten fold. “I enjoy producing faster paced tracks, so I think that lends many of my songs to working well with action scenes. And since there seem to be lots of action anime films with a cyberpunk edge to them, I probably won't have much trouble pairing other movies to my songs in the future if I decide to make more,” Glitch tells Synthetix Telegenic. Smart move Glitch.

With each twist and turn of the motorcycles, the attacking percussive elements and the beautiful intense laden synthphonies, the energy feeds off the driving arrangement to create a thoroughly enjoyable and memorable experience. Glitch Black pulls out all of the stops in “Badlands Escape Pod.” Exceptional work here.



#4 (Neros77) Level - 1 “Iron to Lust”



For anyone who has either grazed or fully immersed themselves in the synth scene, Neros77 has undoubtedly become a household word. He is by most accounts (if not all) the benchmark of video standards when it comes to editing, pushing the boundaries stylistically, thematically and musically with each of his exceptionally crafted works of art. His ability to weave intricate edits with a host of pre-production work coupled with themes surrounding his found footage couldn’t be any more delightful. Stories are told. Magic is made. A lifetime of memories and beauty unfolds with each Neros77 premier, with a standard that is of the highest caliber. As summer approaches, Neros77 reminds us how sexy and sensuous the 80s could be. With Level -1’s “Iron to Lust”, the master of all things video takes us on a sultry journey through a well thought out edit of 80s commercials found through YouTube, minus the clothes.

The track itself is wonderful. A thick kick and snare crack to begin a tour de force in sound. An arpeggiated bass line and an intense synth lead layers to combine an arrangement so pleasing, and to accompany this track are the undulating and writhing bodies of men and women splayed out in pure 80s fashion. “I didn't know how it would end I just worked on it day by day and had fun. I know they (Level - 1) might have wanted some more cyberpunk-ish footage, but I like to make something that isn't all that normal if you know what I mean. I also know it was a bit more daring but as a music video maker we sometimes need to go for the edge of things and shock people but in a good way and with a smile.” says Neros77.

The edits are intense, determined and highly sexual. The buzzing energy of the track with your eyes darting in all unclothed directions leads to an R-rated Neros77 affair. But, then again these were in fact pulled from commercials that ran on prime time television throughout our favorite decade. Innocent right? From soap to phones and even braziers, I forgot just how racy and sexual those sweet 80s commercials were! The song winds down and builds back up for a truly beautiful explosion of the finest synths and curves, a unparalleled combination. Spectacular work from the “King of Videos.” Once again, Neros77 has done it again, but this time he has teased and tantalized our senses to the edge while managing to deliver on all fronts. How is that even possible? Of course, it’s Neros77. Now where’s that towel?



#3 Irving Force - “The Violence Supressor”



Irving Force has taken creative control and delivered something that is astounding, a full on visual masterpiece to accompany his track “Violence Suppressor”. Through his blend of determined and punishing synthwave, tinged with cyberpunk edges, this renegade brings to us a top quality, triumphant and bloody saga; produced, written, scored, and directed by Irving Force himself. The track takes us to 2015, where the world has been taken over by rogue gangs who thrive off torture, pillaging and rule by fear. Crooked politicians hold office, and civilization has never been in such dire straights. The opening scenes of the video immediately captivate. The digital world coupled with the lighting, sequencing and music confirm that this is going to be quite the ride. We meet out hero Force who is driving through the streets listening to the Crime Scanner. He is picking up radio traffic of gangs (through his Commodore tape player no less) murdering, attacking and antagonizing citizens. Let me remind you these scenes are hyper real and depict very strong violence.

The level of production is incredible, so for those uncomfortable with such subject matter, heck…keep watching. Force unleashes his arsenal of not just guns but suaveness onto these criminals, engaging in bloody battle where our victor claims the throne and restores order. Not before delivering memorable and righteous monolog bits reminiscent of Kung Fury, to make our savior that much more appealing. Through his shades and trademarked long beard, the Force’s screen presence is overtly strong. His enemies fall and lie in a bloody heap. The quality of storytelling, edits, and special effects makes you wonder how this video didn’t get picked up and released through a huge video production collective or company. It’s seriously that good. I actually enjoy the details and edits in this as compared to Kung Fury. Obviously this production was a labor of love which I can’t imagine took any less than months to make.

Coming straight out of left field and through the screen in hyperdrive, this blazing track and video compliments a pulsating piece of work that not only showcases the proficiency of this incredible artist, but also one who has innumerable talents that involve other types of production including sound design. Do yourself a favor and save this one. It’s without a doubt one of the greatest retrowave productions I have ever seen. It’s nice to know The Force is right around the corner to back me up when I need him.



#2 Perturbator “Sentient (f. Haley Stewart)”




Perturbator stuns us with one of his most memorable and emotional tracks to date, “Sentient,” which features Haley Stewart from Dead Astronauts. The pairing makes for a momentous occasion, as the duo works seamlessly to take the listener through a ballad full of darkness, thought, wonder, and sadness. The dark and paced out beat is enveloped with spacious and haunting vocals, coupled with a cyber world filled with tastefully selected synthesizers. Fortunately for us, Perturbator decided to make a video paired with an artist who is quickly gaining the recognition of making the best in pixel based animation.

Full of detail, thought, and ground breaking edits, enter Valenberg. (The master behind Gunship productions) The video begins on a stormy night, where our heroine stands motionless represented with the finest in pixel perfection. She seems captivated, beckoned by the call of The Benevolent Church through her empty eyes. She is on a mission. The world has been overrun by androids who are threatening the safety of the entire population. She drives through the rain soaked streets while the glorious, symphonic track weaves through the edits. Valenberg manages to capture such incredible beauty through his scenes. I have never seen anything like this before. As pixel art is known for being relatively flat and two dimensional, Valenberg crushes all notions of the past with his expertise. Flawlessly detailed scenes give the viewer a real sense of depth and feeling through a craft that I imagine was painstakingly thorough and extensive to build from scratch. It’s more than evident and the result is glorious.

Our hero reaches her destination, gun in hand set to destroy the android producing factory full of seduction and sin. Her mission is derailed, as she is captivated by the environment. Full of darkness and sex, she succumbs to the rush of the androids. After the sexiest pixel scene of intercourse (did I just say that?), she is sliced with a scalpel to reveal her true identity. She is now an android. The power of appeal, seduction and promise has taken over and our once determined heroine is now part of the android masses. Sublime work from both Perturbator and Velenberg. This is a pairing for the ages. The story is told with depth, and is without reservation one of the finest visual treats I’ve ever seen. The emotion and intensity is unapologetically honest, and we couldn’t ask for more.



#1 Carpenter Brut - “Turbo Killer”




I will admit, it’s challenging to think about how to approach discussing this video from Carpenter Brut. Primarily through the notion that my words would not do this pinnacle in video making achievement justice. So I’ll start a bit about the music. Synth lovers have come to admire and behold the intensity in which Carpenter Brut approaches his music. The wonderful thing about this artist is he is able to inject thoughtful melodies, arrangements and synthesizers detailing feeling and emotion over his beds of grit and storm. Orchestral, cinematic and powerful; each song has it’s own personality while maintaining unmistakable cohesion. What a fine balance and ability to possess, apart from impeccable and impressive production value. “Turbo Killer” is no exception.

The track is a stunner, driving the beats per minute along with your heart rate as the piece elevates you to a state of pure bliss. Now the video. I’ll admit when I first saw “Turbo Killer” I was dazed. After experiencing the breathtaking visuals and special effects (which parallel productions seen only the big screen), I had to gather my thoughts and pinch myself to see if this was actually real or just a dream. Director Seth Ickerman proves this is no dream, and that we are witness to the most exceptional video ever created in the retrowave scene. (I am doubtful I will ever be able to state this in again in the future.) We are introduced to a surreal environment in space, where a floating cross bound towards earth houses Turbo Killer and his muse. Together they are introduced through other worldly visuals, production worthy of Hollywood special effects. Donning a cloak with yellow eyes, we see what is presumed to be Turbo Killer.

Far away, a scared and cowering woman is housed in an electrified triangle, surrounded by a bevy of cars and a man enthralled with her captivity. Turbo Killer and the queen join hands and the then scared woman is transformed into a writing, sexually charged figure. She teases, dances, and tantalizes while the driving music of Brut accentuates each bounce and turn of her waist, chest and head. Toggling between her moves is Turbo Killer, zipping through a fantasy land and racing towards her. The visuals are unbelievable. It’s over the top in the best way imaginable. The intensity and electricity of the pairing of images and music is nearly overwhelming. Quick edits and pristine shot choices keep the momentum unlike any video seen before.

As Turbo Killer approaches he is confronted by the man, who has now falling for the damsel. Shotgun in hand, the mysterious stranger fires the trigger towards the speeding car. But Turbo is quick. He propels his vehicle in the air and right through the triangle, taking with him the woman. A chase ensues with breakneck frenzy, and the man (in addition to the other cars now in pursuit) fly off a cliff into the waiting maze of the cross. The car with our damsel is ahead of the rest, while the yellow eyed master of sex and dreams propels it towards the epicenter of the cross. The light is blinding, and Turbo Killer has claimed his victim. The muse is satisfied and she can continue her reign with him beside her. Sexual, intense, breathtaking, this video has it all. It’s like a speedball through your speakers and screen, coupling and claiming the first place prize in Synthetix Telegenic.




If you'd like to submit a video for possible inclusion in Synthetix Telegenic please contact me via the Facebook Synthetix Telegenic page here.


(Synthetix Telegenic will be back in two weeks with more the best music video productions from the 80s inspired synth scene! Many, many thanks to James Mann for his unwavering passion and eloquence in creating this superb content for Synthetix.FM - RS)



Thursday, January 29, 2015

AIRBORNE



Tape Loader - Space Travel

By James Mann



Cosmic energy. Black holes. Energy soaring through galaxies at unimaginable speeds. Traversing layers of space, mystery, and travel, Tape Loader sets ignition interlock sequence to lift off and escort you along a remarkable trip in his galaxy with an astounding sense of depth, mood, and an 80s Euro-esque nostalgia overload that's truly joyous. The debut album Space Travel from this wizard of synths and samples is an impressive one. Unapologetic rhythms and a perfect blend of both heavy and light synthesizers work in unison for a range of sounds I've yet to hear from any artist in the scene. Tape Loader has an ability to vary his sounds from track to track, creating journeys with his exceptional understanding of layering that are addicting and so sweet to any synthficionado.

The first two tracks on this gem of a debut are the aptly titled 'Space Travel' and 'Rogue Comet.' Tape Loader takes a different approach with his tracks, an incredibly satisfying way of layering bass, melodies, samples, and little touches here and there which all work in unison for a momentum which builds and keeps your attention undivided. 'Space Travel' has an incredible Euro style melody that reminds me of the French duo Air. Interspliced with samples and a gradual build, the whole track has touches of simplicity, yet a sophistication that's undeniable.

 "Rogue Comet" is perhaps my favorite on the album. One thing worth mentioning before delving into the beauty of this gorgeous track is that nothing about Tape Loader is formulaic. 'I went full on with samples from this CBS sound library that I found at a garage sale ten years ago (a 3 LP box set - vinyl) from the 70s.' This is just one examples of the many layers of creative depth this artist has, and is able to incorporate into his wide variety of sounds and melodies. 'Rogue Comet' has such a confidence in it, and the arpeggiated melodies and delay on the percussion will send chills up and down. There's is a good deal of inspiration in Tape Loader's tracks, as he told me some of these compositions have been in the works for 'quite some time.'

'Jupiter Jazz' is another stunner of a track that reminds me of watching shows like Belle and Sebastian as a child in the 80s. There is once again that trans European feeling of a theme pertaining to perhaps a show from my childhood? Quite possibly a more current feel of an 80s hit from a French artist? I am meandering a bit, but the feelings evoked are so unique I can't quite put my finger on it. This is a good thing. I absolutely love this.

'The Martian Conflict' was a close second for best track. Shimmering melodies, driving beat and rhythm prompt the listener to do one thing, dance. (or at least gyrate) The buildup once again is evident, and the layers keep coming until, explosion. Now Tape Loader has taken you through his dimensions of the vast array of space he's familiar with, and is no longer an introduction to you. The coordinates are set and turning back is near impossible. These synth laden treats he lays out in trail fashion are too good not to follow.

'Love on a Real Spaceship' is a mesmerizing track, fittingly so since it's an homage to the Tangerine Dream classic from the Risky Business soundtrack. Emulating the depth and dimensions of Tangerine Dream isn't easy, but Tape Loader nails it. This track demonstrates his versatility as an artist, venturing into more soundtrack based themes with dimension, depth, and appeal. Excellent job on this one, it was among my favorites on the album.

Space Travel is an exceptional debut album from Tape Loader. Gorgeous sounds and percussion take you through the spacial realm of this artist's vision and convey a deep interpretation of the unknown and beyond. There were moments I felt almost lost in the sound, a trance like feeling that put me in a warm, comfortable place. When asked about future or current projects, Tape Loader confirmed that he is in fact working on another themed project at the moment. Expect some collaborations from him as well.

Tape Loader presents 'Space Travel' and it is available here and it comes very, very highly recommended from SynthetixFM. "Are you so nostalgic that you might go insane? Have a Tape Loader, it will make it all better!" Well put, Tape Loader.




Cosmo Cocktail - Endless Waves

By JamesTheSuperGeek



Endless Wave is the debut EP from producer Cosmo Cocktail. Cosmo creates an immersive dreamscape. Filled with lush synth lines and catchy melodies this EP portrays the feeling of 'the perfect summer' and an 80s Miami beach, and also has quite a strong early 80s new wave vibe to it. Standout tracks on this EP would have to be 'Sail Through The Storm', 'Endless Wave' and 'Passing Cape Horn' but it's certainly a great whole experience.

The EP opens with 'Sail Through The Storm' which is driven by solid melodies and a nice bassline with some shimmering arpeggios on top to glisten it up a bit and a solid way to kick off the EP. Next is the title track 'Endless Wave' which slows things down a bit and incorporates a more dreamy, romantic vibe. 'The Unknown Route' brings the pace up a bit and is a really neat track which fills me with an uncontrollable urge to get up and dance.

The EP takes a somewhat dark turn with 'Passing Cape Horn' which departs from the romantic vibes of the earlier tracks and creates a much more sinister vibe. This track really does stand out from the others and I really like it. When listening to this EP I created a small story in my head of summer romance and this track is the part of the movie that makes a complete 180 where a serial killer shows up looking for some victims (of course i doubt this was part of Cosmo's original intentions, especially considering the nautical theme of the track titles). 'Wind's Direction' is a very chilled out track with some very nice Lead synth melodies. The final track 'The Seventh Sea' is quite a relaxing track which serves as a fitting outro to this EP.

Cosmo Cocktail implements a warm, minimalist style for his Debut EP Endless Wave which is very dreamy, romantic and immersive EP. 30th Floor Records presents Cosmo Cocktail's EP on Bandcamp here and he is definitely artist worth following and I recall hearing somewhere that he's working on a new album, so stay tuned.



Gamer - Moon Base Europa

By Andrew B. White



Before we head to Moon Base Europa, here's little pre-game Gamer background. Anyone who has seen the pixel art music video for Mitch Murder's 'Interceptor' video will be familiar with Gamer's visual work. Gamer hail from New Zealand, the land of the two lords (Lorde and Lord of the Rings) and formed in 2012. Calling themselves a "Synth + Pixel Art project" and creating "visual sequences of a dystopian future", the duo is Phil Shaw (music production) and James Rowsell (artwork and animation). 

The two started working together after Phil had finished the debut Gamer track ‘Shaping Staff’ and asked James to animate a music video for it. Fired up with the results they decided to continue as a duo, incorporating pixel art projections into their occassional live shows. 

Phil moving to Melbourne, Australia in 2013 but Gamer continued to work together, releasing the animated pixel art music video 'Turbo' and the EP "Smoke Signals" in 2013. The two music videos for 'Turbo', 'Shaping Staff' the promo for 'Smoke Signals' and 'Ancient Cosmos' gained a lot of interest in the pixel art and synth communities, leading to the eventual hook up with Mitch Murder. Gamer's videos really are works of art and obviously compliment the music like nothing else could. I would suspect they field dozens of requests a day from budding synthwave artists for music videos!

In December of 2014 Gamer released their first full length LP Moon Base Europa. Consisting of ten instrumental tracks the album continues the Gamer sound which fits into OutRun territory. Despite the pixel graphics Gamer doesn't do chip tune music. Neither is this the overly-compressed type of outrun where all levels are pushing to melting point - rather a version that allows for space and dynamics to come through. None of the tracks are overly busy with instruments to muddy things up. Synth lines are melodic and there is a mix of plug-ins and real synths, which are mainly used for the key melody lines. The playing is right on and helps to add an air authenticity to the music - I sometimes feel like this could be something from the 80s with the synth sounds on show here. The song titles also seem to fit each song well - 'Planzers  Club', an uptempo number ,sets the scene for our space travelers stopping at some intergalactic dive bar en route to Moon Base Europa. Others give sensations of cruising the outer reaches of space ('Flame Out', 'Magentic Fields') and the up-tempo 'Get Away' is an equally good a fit for your car on earth as it is for your space cruiser. "Moon Base Europa" is an excellent album and really worth cranking up loud. If you have seen Gamer's videos (and make sure you seek them out if you haven't) you'll be creating your own Gamer-style pixel movies in your head when listing to "Moon Base Europa".

Moon Base Europa and the Smoke Signals EP are available on Bandcamp here.

Check out the Gamer videos at on their YouTube page here and follow their creative progress on Facebook here. 

Postscript: Phil from Gamer says 2015 will see a focus on live performances with the addition of an extra synth player along with collaborations, remixes and new music.




Irving Force - Undercover

By Jerry Herrera



Irving Force’s Undercover EP is one of the first real gems of 2015.  Not relying on his themes to carry the music, Irving has a great grasp on what makes darkness creep and what gives the music teeth.  This EP is like an action/horror Daft Punk.  It’s got the punch and the atmosphere of a great synthwave/electro album but also the thumping mid tempo kicks, snares and little stylistic touches that make our favorite robots so likeable.  

By far my favorite track is the first, 'Meat Grinder City'.  It’s an extremely intense and atmosphere heavy track but doesn’t overwhelm.  There’s a lot to digest because Irving Force knows how to layer a track, shift textures, throw in hooks and stabs and bring everything back to a relevant point.  The song travels, but never gets lost.  It just lets the listener wander in this sonic metropolis of villainy and brutality.

The rest of the EP doesn’t quite reach the intensity of 'Meat Grinder City', at least for me personally, but that certainly doesn’t mean that Irving Force doesn’t create a believable and grimly beautiful world.  'Stakeout' and 'Devoured by the Sunrise' are notable tracks as well, that demonstrate that Irving Force is in control of a thousand elements, great and small and they all have a home in the music.  Undercover is an enjoyable and nuanced journey from start to finish. Pick up a copy on his Bandcamp page here, turn it up and hold on for the ride!




SUNG -  Overizer

By Michael CA L



One of the best EPs to come out of the synthwave scene in 2014 was also one of the year's last. December 9, 2014 marked the release of SUNG's Overizer EP, a huge-sounding mini-album with all the attributes of a future (and futuristic) classic. The cover art is beautifully dark; reminiscent of Tron: Legacy's dark vision of cyberspace or perhaps the electronic netherworld that William Gibson's keyboard cowboys dare to dwell in the author's legendary Sprawl Trilogy. Beyond this enticing visual aesthetic, the EP contains five beautifully-realized tracks that range from being the musical equivelent of rocket fuel to mercury-smooth romance synth.

The EP starts with 'Neon Artery', a song with a thudding pulse like blood surging through the vessels of an adrenaline junkie in the middle of a high-risk stunt. A beautiful introduction to an album that's full of big moments, 'Neon Artery' brings to mind visions of too-fast travel through a vicious and volatile futuristic urban landscape, moving ever closer to the distant, glowing lights that radiate from the signage outside a neon nightclub outpost.

The second track, 'Skylane', begins with the sounds of rain pouring down, the drone of traffic rushing by, and the crash of thunder in a sky polluted with surveillance machinery and thick with contaminants. Solemn synth chords expand and build on themselves as they gather gritty, distorted sonic particles that are swirling around in the unclean air. With a marching, arpeggiated bass acting as guiding torchlight in the gathering storm, the pressure rises until the track explodes into a pounding onslaught of drums, bass synth and crashing drums. It's the march of heavy weather as it rains down from the skylanes above. It's the soundtrack of the survivors caught within the storm, beaten down and forever hunted in a city that is as corrupted socially as it is environmentally. It's a beautifully dark, mid-tempo track and one of several highlights on the album.

Slotted into the dead center of the EP and having the honour of being the album's titular track, 'Overizer' is the power-generating reactor core of the release. It's as tightly constructed as the rest of the tracks and has a similar tempo to the EP's opening song, but it has a rise-and-fall aspect to it that generates that special kind of response in listeners akin to being plugged into a wall jack that's simmering with electric current. 'Overizer' has it all: momentum, power-house build-ups, raw-sounding distortion and an eye-of-the-storm, temporary lull that gives the listener that classic, electro-esque sense of impending doom, right before said doom is unleashed in the form of a final, cumulated surge. One doesn't need to ask what it means to be "overized" after listening to this song. It all becomes readily apparent around the one minute mark.

As the power of 'Overizer' wanes into silence, the EP introduces its final two tracks: 'Night Cruisin'' and 'Sunset Drive'. These songs are the album's most gentle selections, with the first one being a subtle come-down and the final track being the absolute sweet-dreams finisher. The aptly-titled 'Night Cruisin'' opens with a propulsive bassline that rises up like a high-tech concept car pulling out of an underground parking garage. With its down-tempo rhythm centered around deep bass thuds and tense snare hits, it's a smouldering, slow-burning affair indeed. An elegant piano melody blossoms out of this, followed shortly by a gorgeous descending arpeggio at the 52 second mark. Accompanied 15 seconds later by string pads, this moment becomes a centerpiece within a centerpiece, inducing a near-euphoric state. The combination of sounds up until this point are riveting, yet there's more to see on this midnight odyssey. At 3:04 an overdriven guitar fades in to deliver a solo that's haunting, subtle, sensual, atmospheric, perfectly suited and among the best I heard in a year that saw plenty of rock-solid guitar performances in 80's-inspired music. All of the aforementioned elements contribute to making "Night Cruisin'" an album high-point and one of my favourite songs of 2014.

Whereas in the mundane world the sun must set before the night can arrive, in the world of SUNG's Overizer, sunset joyrides follow night cruises. The EP's final track, 'Sunset Drive', is a good closer that seems to contain all the warmth, beauty and sentimentality that could possibly be held within those fleeting moments before the sun slips beneath the horizon. An uplifting track, it radiates a calmness and tranquility all but absent from the EP's other, more darkly lit and heavy-toned tracks.

Despite repeating some synthwave themes that are well-worn (including the sound of waves lapping gently against the shore, cyberpunk imagery and a focus on night driving), there isn't a moment on this EP where I wasn't thoroughly impressed by SUNG's compositional skills or his ability to realize musical and thematic concepts beautifully using production skills that rival the genre's best. At under 20 minutes in length, it's a concise piece of work, and SUNG does a fantastic job of making the most of each second within this timeframe. Having come out late in the year, at a time when critics and fans alike may have already written up, sent off or otherwise made up their minds regarding their favourite music to come out in 2014, I'd hate to see this EP get overlooked. As mentioned at the start of this review, SUNG's Overizer  is one of the most engaging releases of 2014, and it's deserving of exposure as broad as the album is dense.

SUNG presents Overizer, which is available at his Bandcamp page here. The EP comes very, very highly recommended by Synthetix.FM